

Mona Kuhn is from São Paulo, Brazil, “She is interested in redefining ways of looking at the body, as a residence to ourselves”. The mix of nature and human are very well done and works well presentation wise.
Mona Kuhn Photographs
4 Aug
Brooklyn Street Art
3 Aug
“Banksy” in Da Bronx.
Willlllson! An Unknown artist’s re-interpretation of a Banksy piece, possibly an advertisement
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Eyes on New York
3 Aug

JR “Inside Out” Project The Bronx, New York 2011 (photo © Jaime Rojo)
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Hybrid-human tire sculptures
2 Aug

zebra head 11' (herbivorous animal) 2010 105 x 52 x 90 cm used tire, steel, wood, styrofoam images courtesy of yong ho ji
“Korean artist Yong Ho Jihas expanded his ‘mutant mythos’ series, continuing to create sculptures with layers of used tire strips bound together by synthetic resins on supporting frames of steel, wood, or styrofoam. examining genetically modified organisms and darwin’s evolutionary theory, this body of work depicts eight stages of transformation in the tradition of classical sculpture: carnivorous, herbivorous and omnivorous animals, anthropods, fish, hybrid animals, hybrid humans, and finally humans”.

'horse man 2' (hybrid human) 2011 150 x 150 x 200cm used tires, steel, synthetic resin images courtesy of yong ho ji

deer woman 2' (hybrid human) 2009 43 x 75 x 155 cm used tires, steel, synthetic resin images courtesy of yong ho ji
EVOL: Underground City
29 Jul
EVOL’s work typically transforms urban spaces into miniature cities by pasting spraypainted stenciled images of walls and windows over planters, power boxes, and other structures. about the current installation, among his first in a rural setting, he reflects:
“As I came [to the site] first, that’s what I found: endless meadow, trees and blue sky. not exactly what I play with usually. so I decided to cut open the idyll, and pretend there is no endless meadow, but only rooftop-gardens of the disgust underneath”.






Robert Mapplethorpe
28 Jul
People and Flowers

Robert Mapplethorpe was born in 1946 in Floral Park, Queens. Of his childhood he said, “I come from suburban America. It was a very safe environment and it was a good place to come from in that it was a good place to leave.”
In 1963, Mapplethorpe enrolled at Pratt Institute in nearby Brooklyn, where he studied drawing, painting, and sculpture. Influenced by artists such as Joseph Cornell and Marcel Duchamp, he also experimented with various materials in mixed-media collages, including images cut from books and magazines. He acquired a Polaroid camera in 1970 and began producing his own photographs to incorporate into the collages, saying he felt “it was more honest.” That same year he and Patti Smith, whom he had met three years earlier, moved into the Chelsea Hotel.

Mapplethorpe met Lisa Lyon, the first World Women’s Bodybuilding Champion, in 1980. Over the next several years they collaborated on a series of portraits and figure studies, a film, and the book, Lady, Lisa Lyon. Throughout the 80s, Mapplethorpe produced a bevy of images that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities, to name a few of his preferred genres. He introduced and refined different techniques and formats, including color 20″ x 24″ Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color prints. In 1986, he designed sets for Lucinda Childs’ dance performance, Portraits in Reflection, created a photogravure series for Arthur Rimbaud’s A Season in Hell, and was commissioned by curator Richard Marshall to take portraits of New York artists for the series and book, 50 New York Artists.

That same year, in 1986, he was diagnosed with AIDS. Despite his illness, he accelerated his creative efforts, broadened the scope of his photographic inquiry, and accepted increasingly challenging commissions. The Whitney Museum of American Art mounted his first major American museum retrospective in 1988, one year before his death in 1989.

His vast, provocative, and powerful body of work has established him as one of the most important artists of the twentieth century. Today Mapplethorpe is represented by galleries in North and South America and Europe and his work can be found in the collections of major museums around the world. Beyond the art historical and social significance of his work, his legacy lives on through the work of the Robert Mapplethorpe Foundation. He established the Foundation in 1988 to promote photography, support museums that exhibit photographic art, and to fund medical research in the fight against AIDS and HIV-related infection.







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