PES: In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.
“A lot of those ingredients look a bit questionable. I’d say eating that Guacamole would be a bit of a gamble” :).
PES: In this follow-up to his stop-motion hit Western Spaghetti, director PES transforms familiar objects into Fresh Guacamole.
“A lot of those ingredients look a bit questionable. I’d say eating that Guacamole would be a bit of a gamble” :).

The film follows the trials and tribulations of young robots surviving at the sharp end of inner city life, living the predictable existence of a populous hemmed in by poverty, disillusionment and mass unemployment. When the Police invade the one space which the robots can call their own, the fierce and strained relationship between the two sides explodes into an outbreak of violence echoing that of 1981.”

Gulp. The world’s largest stop-motion animation shot on a Nokia N8.
“Gulp’ is a short film created by Sumo Science at Aardman, depicting a fisherman going about his daily catch. Shot on location at Pendine Beach in South Wales, every frame of this stop-motion animation was shot using a Nokia N8, with its 12 megapixel camera and Carl Zeiss optics. The film has broken a world record for the ‘largest stop-motion animation set’, with the largest scene stretching over 11,000 square feet”.
The animators: aardman.com
The sand artists: sandinyoureye.co.uk
The phone: nokia.com/n8
Photographer John Moore is no stranger to combat. As a member of an Associated Press team in 2005, he shared a Pulitzer Prize for breaking news photography for coverage of the war in Iraq and he’s done extended stints in Afghanistan, Pakistan, Somalia, South Africa, Mexico and Nicaragua and elsewhere in the last 20 years.
Yet despite his relative comfort with being on the frontlines, Moore told the NewsHour from his hotel room in Cairo that his latest assignment -a six-week trip that took him to the uprisings in Egypt, Bahrain and Libya – might have been his most dangerous. Moore recorded the interview for us after sneaking out of Benghazi, Libya en route back to his home in Denver.
Combined units of colorful blocks.
They act like people, however, the color disappears and you feel it differently.
Tools used: Nikon D80 / AE / ProTools LE /
Made by Studio Shelter
studioshelter.co.kr
shelter.animation@gmail.com
Director : Lee SungHwan