Tag Archives: Art

Meat balloons by ODL

3 Jun


“At the japan premium beef storefront, chicago-based design studio ODL (object design league) have created a meat-themed installation of their ‘balloon factory’, with balloons that take the form of sausages and steak cuts. The installation was curated by sight unseen as part of the NoHo design district during new york design week.

The ODL team creates their own balloon formers, which are primed with soap before being dipped into latex. The thin coat of rubber that adheres to the surface becomes the actual balloon. while it is still wet, latex colours can be mixed or the balloon can be hand-painted to achieve various visual effects. once dry the rubber is leached and vulcanized to be strengthened for inflating. in all, each balloon takes about three hours to produce.

The meat balloons at japan premium beef are shaped like sausages and different cuts of steak: porterhouse, flank, filet mignon, and T-bone. all use an initial clear latex, dripped with red, pink, and brown. steven haulenbeek, caroline linder, Michael Savona, and lisa smith of ODL left some pieces on butcher trays in the store window, while others they inflated, tied with twine, and twisted together to hang.

ODL explains: ‘this iteration extends the original ‘balloon factory’ project and carries a strong reference to the intricate fake food prevalent in restaurant windows in japan.’ A limited edition run of 40 meat balloons are available for sale at the ODL web shop“.








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Cut-and-paste religious rewritings by Meg Hitchcock-steger

3 Jun

‘the satanic verses: ‘repentance’ from the koran’ by meg hitchcock, 2012
letters cut from ‘the satanic verses’ by salman rushdie
21″ x 19

Brooklyn, new york artist meg hitchcock weaves together spiritual traditions by cutting away from religious texts letter by letter, then placing these characters by hand in a swirling combination of characters creating the words of other holy books. hitchcock was raised as a fundamentalist christian and now does not identify with religious learnings. Through her work, the artist celebrates all religions and the human need for transcendence– to reach outside of oneself for a connectedness with ‘the other’. through her works hitchcock feels she honors this timeless urge in humanity by uniting various faith systems through art, raising both religions by making art from their only actualized form. the artist says of her work, ‘I incorporate and ‘cross-pollinate’ the sacred writings of all spiritual traditions, suggesting that all religions derive from the same source, and are sustained in the same unwavering faith.’

‘In ‘the satanic verses: ‘repentance’ from the koran cut from ‘the satanic verses’ by salman rushdie’, I recreated a chapter from the koran called ‘repentance’ by cutting letters from ‘the satanic verses’, the novel by salman rushdie. by reconfiguring the letters of this controversial novel into a passage from the koran, I seek to bring restitution to the original offense. it is not my place to speculate whether mr. rushdie regrets or seeks repentance for producing his novel; my intention with this text drawing is to address the issue of religious intolerance and extremism under which he and others have greatly suffered’. -hitchcock speaks to ‘the satanic verses’

‘throne: the book of revelation’, 2012
letters cut from the koran
44.5″ x 30″

milk and honey: ‘michael row the boat ashore”, 2012
letters cut from the bhagavad gita
40″ x 26″

‘prayer to lakshmi’, 2012
letters cut from the koran
4″ x 4″

‘I am the oblation: bhagavad gita, ch. 9’, 2012
letters cut from the koran
12″ x 12″

buddhist prayer for peace’, 2012
letters cut from the methodist hymnal
7 x 5 in.


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Pakistan for New York Times Magazine

13 Apr






By Morgan Schweitzer

Animals are kewl!

13 Apr










georges le mercenaire

Anton Semenov

8 Apr














Alexander Fedosov

5 Apr




Tien-Min Liao

5 Apr

“This is a self-initiated typographic experiment that explores the relationships between upper-case letters and lower-case letters, and also records the transformation between them.

In this experiment, I drew shapes with ink on one or both of my hands, manipulating my gestures into the corresponding shape to signify an upper-case letter. Then, using the same shape on my hands, I manipulated my gesture or changed the perspective through which the shape is viewed in orderto transform the upper-case letter to a lower-case of the same letter. Removingor redrawing the darkened shape on my hands is not allowed in the experiment. The only way to make the model transform from an upper-case to a lower-case (orvice versa) is changing the gestures or the perspectives.

I created 26 sets of these inked shapes and drew them on my hands.Each set is made to create both an upper-case and a lower-case letter, such as A and a. I also created some italic letters, hand-writing letters and some new typefaces with the same shapes”.

 

CLICK ON THE IMAGES TO SEE ANIMATION

 









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Na Zhao

5 Apr













Dmitry Ligay

5 Apr
















The Imaginative Surfaces

4 Apr


by Aurelien Juner













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